Slumdog Millionaire (2008)
I am so glad I took a two hour break between all my hectic lines of work today to watch this film. Slumdog Millionaire is such a emotionally powerful and entertaining film, that it is without doubt one of the best offerings of cinema 2008, and in short a film that everyone should see.
The story follows Jamal Malik, an Indian teenager who grew up in the slums of Mumbai, and the adult fairy-tale of his spectacular run in the Hindi version of the game show Who Wants to be a Millionaire?. The narrative is devilishly clever in its construct – the answer to every quiz question that Jamal faces on the show lies in a part of Jamal’s turbulent childhood, recounted through vivid flashbacks. While the opening 15 minutes may appear somewhat confusing, as the film sets up its premise, once the plot is fully running it never takes a moment’s breath. It’s a truly exhilarating ride.
At its core, Slumdog Millionaire is a beautiful story of romance against all odds. The audience will soon realize that Jamal’s appearance on the game show is simply a natural continuation of his life-long search for his true love, Latika, whom he befriended as a child. Unfortunately, Jamal, who grew up with his older brother Salim, life has been extremely hard as the brothers are forced to resolve to every kind of begging and stealing imaginable to stay alive, while trying to steer clear of the unscrupulous characters from the sinister underworld of modern Mumbai. As a result, throughout his adolescence Jamal and Latika have re-united on multiple occasions, only to be separated by the tides of society. If this sounds Dickensian, that is because there are certainly a lot of similarities that can be drawn from the rapid social changes occurring both in Victorian times and modern day India. The film does an excellent job portraying the dizzying speed at which India is transforming, and how the India from The World is Flat is truly clashing with its millennia-old traditions.
The film’s greatest achievement is certainly its richness of emotions. At times dramatically tense, romantic, hilarious and somberly sad, this underdog tale is so persuasive that Jamal’s fate is irreversibly intertwined with the audience’s emotions, and the ensuing result is that rare moment of true movie magic – the audience and the protagonist becomes one, and the audience live and breathe the protagonist’s feelings. Jamal’s ups and downs translate into moments from our own lives, invoking our own deepest emotions, and we can’t help but root for him, in the same sense that we all hope that our lives can take a turn for the better. It is in a sense classic Hollywood storytelling with the Frank Capra touch – Jamal is very much like James Stewart’s George Bailey from It’s a Wonderful Life, in the same way that audiences can easily identify with two protagonists and personify their experiences.
Serious moviegoers may find fault with the film’s climactic finale, since one major plot development can clearly be labeled cheesy and a cop-out. However, cheesiness in Slumdog Millionaire is akin to that of Forrest Gump – with a film so pleasantly uplifting and mesmerizingly absorbing, why should we criticize a fairy-tale for deviating from reality?
9/10
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